My experience of
aging serves as a poignant example of varied experiences in time. Although my physical body continues to
“decline”, my perception of myself in time is hardly uniform, nor is
experienced in a linear manner.
Not looking ones age is cosmetic and appreciated, but not feeling one’s
age is immediate and bizarre.
I’m at the gym and
lifting weights; all of a sudden I notice the tide like character of the
wrinkles on my arms; tide like because they appear as ascending waves. There is actually a reaction, “this
can’t be my arm”. There is a startling quality that comes with it; a refusal to
recognize that one’s body is actually deteriorating as appropriate with its
calendar age. Although this may be
unconsciously connected with issues of mortality, mainly it resonates as a brutal
break in an awareness of actual time.
The psychological clock of mine is
often not consonant with the “real” time.
Perhaps that is part of the offense that occurs for me when someone
jumps up to offer me a seat on the bus; I feel they don’t know who I am, that they
mistake my looks for someone older. Aging puts you into categories, categories that are elastic
in one’s own mind, but are fixed to onlookers.
Starting graduate
school I have always been somewhat uncomfortable the first day of classes,
anticipating my classmate’s and professors reaction to me. What do they imagine about this old
lady in their midst. Speaking of
categories, I don’t belong in the classroom; I don’t fit the profile of student
because of differences in time. As
a prescription and regulatory practice, college is the time for youth. Times apparently have their own
assumptions; they enforce stereotypes of who belongs and who doesn’t. In this way I have jumped out of
categories, and in doing so have entered into a space where my belonging is at
question.
All these assumptions
and categories are haunting when one assumes the present can still be about the
past. Memories are different as I
grow older. They are less
connected to interpersonal events and more related to what Yannis Hamilakis
calls multi-sense traces of events.
For example, the tiny images of leaves forming again on the trees in the
spring evokes for me a particular experience of standing in my living room
while I still lived in Chicago, some 40 years ago, and looking out the window
at the sight of the new unfolding leaves on the trees forming a spider web of
light and shadow as I was waiting for the committee I was chairing to
arrive. The image is fresh in my
mind although particularly clear recently.
Shanks
writes, “the footprint or vestige is not like a trace….it will haunt when it is
found in the future and then witness the passing over of what is no more”. I think the haunting is responsible for
my breaks in the present; the compilation of my experiences over a life time
still exist and remain alive until shaken by the reality of the present. As the past interrupts my present, my present also
interrupts my past and perhaps threatens to cancel that past in the constant
move towards the future. In
such a way I waver between my present, and the footprints of my past.
Shank continues in a later passage,
“Setting the present in opposition to the past, as times or tenses invokes the
corresponding contradictory temporal states: the past that still has an effect on the present.” This, then, is a way of keeping the
remains of one’s life alive.
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